Branding Rock County’s Breadbasket

RCHSPantone

Woot! Woot! Congratulations to Mike Reuter and his Rock County Historical Society (RCHS) team for their great work with Adunate in creating a logo for their upcoming marketing campaign. And so the branding begins!

Mike, who serves as executive director, contacted me a couple months ago regarding the society’s campaign called Breadbasket (I wrote about the society here). Breadbasket will be a yearlong traveling exhibit that chronicles Rock County’s culinary history. The exhibit will run from June 1, 2013 to June 1, 2014, and will target youth of all ages, families and underprivileged families. According to Mike, these audiences will benefit from Breadbasket’s following embedded themes:

  1. Seed to Spoon: Where Does Our Food Come From?
  2. Tasty Traditions: How Does Food Shape Who We Are?
  3. Our Food Future: Bleak or Bright?

Discussing the project with Mike was exciting. He comes to the RCHS with a great portfolio, having previously worked as the operations manager and curator for the Milwaukee County Historical Society. His plans for Breadbasket are to have large, sweeping, door-type displays, along with educational kiosks. The exhibit will be headquartered at the RCHS campus but will also travel to outlying historical societies.

Mike then put together an interesting team of a people, all individual from one another yet all related to Rock County. For more than an hour we discussed what the county means to them (I’ve developed a super effective process of opening up participant’s creative brains and guiding them through the necessary brainstorming). What a fun time! I learned so many appreciative qualities of this area of south central Wisconsin. I daresay the participants did too—open-minded thinking always gives people perspectives they didn’t have before.

One of the objectives for the Breadbasket logo is that it work both independently and together with the RCHS logo. Therefore, it needs to have its own identity, yet coordinate.

Here’s the RCHS logo.

Rock County Historical Society logo, Janesville, WisconsinThe logo is very befitting to the society; the icon replicates its Lincoln-Tallman House and the typeface represents the Craftsman-style of its other buildings.

We decided the red color that RCHS uses in all its visual communications would be the coordinating factor. Rather than choosing one or the other of the two eras represented in the RCHS logo, we went with a generalized advertising style that would have been common in the late 1800s to early 1900s, a time frame common inclusive of both eras.

Rock County Historical Society

Rock County’s food history is fascinating. Like much of Wisconsin, it evolved as a wheat-growing county in the mid-1800s to a dairy-producing county in the 1900s. Today it celebrates everything from large acreages of field corn, to specialized farmers markets, orchards and vineyards, all of which work together to make up Rock County’s enticing breadbasket of food.

So here you have it: RCHS’s own breadbasket of food! I’m anxious to see the Breadbasket displays and the great programs the RCHS puts together in the next year!

 

 

 

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Gardening in the Dead of Winter

Michelle Eggert, ConferenceDirect, ad in National Gardener MagazineToday there’s a blistering blizzard outside but working on this gardening ad is like getting flower catalogs in the mail—spring is always just ahead!

Michelle Eggert, of ConferenceDirect, called me a few weeks ago about doing an ad for National Gardener Magazine. As a certified meeting professional, she helps organizations locate and secure venues for their gatherings. She has more than 20 years’ experience, so she’s obviously a proven winner at what she does. But she also wants to break ground in a new market—that of the garden clubs—and she needs to reintroduce herself.

As Michelle and I brainstormed her audience’s demographics, we concluded many garden clubs have little experience in finding venues for their conferences. In fact, not only do they lack the know-how, they don’t even understand how hard it can be. Our objective is to present them with the challenge at hand and show how Michelle can help.

Here’s what we’ve come up with.

We want to talk shop, but not conference planning shop. We want to communicate directly to gardeners, but not in an overly pun-ish way. Above all, we need to do this knowing we have only a micro-moment of the viewers’ attention.

Thanks to Michelle, her husband, her gardening friends, and my daughter (who has more creativity than she knows), we’ve accomplished these goals beautifully!

 

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Carpe Diem 2013

Carpe Diem

My friend Ann Foley surprised me this amazing New Year’s gift. She’s such a talented designer, as you can see, and she went the extra mile to have the calendar backing printed as letterpress on a heavy grade of delightfully textured cardstock.

Carpe Diem 2013

Holding Ann’s calendar in my hand is proof that, no, print will never die. We will always have this sensory need that only hardcopy can satisfy. In fact, the more digitized we become, the more meaningful an actual touch-and-feel piece becomes. It’s so tactile. So personal. So haut de gamme, if you will.

Goodness, I feel very special that Ann cared enough to give me a printed piece. And a beautiful one at that!

Thanks Ann!

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How Imagery Affects the Cost of Your Project

program for Wisconsin Lutheran State Teachers' Conference

I recently finished my biggest hardcopy project of the season—a handout booklet for the 2012 Wisconsin Lutheran State Teachers’ Conference. At a whopping 76 pages, there were easily 40-50 images in the form of photography, ads and music.

Needless to say, this took a bit of time!

As she does every year, conference coordinator Kris Snyder did an excellent job of rounding up these images. And because she took the time to verify they were of correct format and resolution, she kept her project costs from creeping higher and higher.

Imagery plays a huge role in the efficiency of a graphic design project. If clients provide images that aren’t right for the job, I need to contact them, explain the situation and wait for them to send replacements. All the while, the clock keeps ticking ($$) and the project is stuck in standstill.

Here are instructions I give my clients at the start of each project. They’re kind of techie, but if you take note of them, they’ll improve the efficiency of your project.

The Right Format for the Right Job

Images come in two formats—vector and bitmap (raster). Professionally designed logos, technical diagrams and blueprints are usually created as vector images. This means they’re made with paths, or lines, and they can be enlarged to any size without distorting the image. Vector images are commonly created in design programs such as Illustrator, CorelDraw or CAD and have AI, EPS or SVG file extensions (here’s a complete list of vector file extensions).

Let’s say I’m doing a website for you. Or maybe an annual report.

If your logo file has any of the extensions listed above, that’s the file to send me. I can easily adjust the size according to our needs and the image will look top quality.

vector image vs. bitmap image

A logo created and saved as a vector image has a transparent background.
A logo saved as a JPG image does not.


What if your logo file has other extensions, such as GIF, JPG, TIF, or PDF?

Yes, I can use it. However, I may not be able to increase its size. And depending on how the file was saved, it’s possible the image won’t have a transparent background, thus limiting how we can incorporate it into your project’s layout.

While these non-vector files are workable (and sometimes can be converted to vector), they increase the time I spend on your project. If you’re trying to keep your costs as low as possible, contact your logo designer and ask for its vector files.

The Right Resolution for the Right Job

Remember, images come in two formats—vector and bitmap (raster). Bitmap images are made with a gazillion tiny dots, or pixels. All digital photography, whether taken with a digital camera or film (and then scanned), is bitmap imagery.

Resolution refers to the density of those dots. Resolution is an important consideration for every job. It’s the main determinant of the image’s quality and success.

Let’s once again use a website and an annual report as examples.

If I’m doing a website for you, your images will be online and we’ll measure their resolution in pixels per inch (ppi). Online images only need to be 72 ppi. You can send me images in 72 ppi or higher, and I can easily compress them to the right resolution so they pop up quickly on your website.

A 72 dpi image, increased to 300 dpi without changing its dimensions.
At left is an image with a resolution of 300 dpi. At right is how the the same image
would look when professionally printed at 72 dpi. 


If I’m doing an annual report for you, the resolution requirements are much higher. Here’s where you should pay attention because this is where incorrect imagery really bogs down a project.

An annual report is a hardcopy project that most likely will be professionally printed. Professional printers measure resolution in dots per inch (dpi), and they require a minimum resolution of 300 dpi. Anything less will produce a poor quality piece (in fact, in today’s highly technical printing world, an image with less than 300 dpi will automatically set off an error message).

So what if your image isn’t 300 dpi? There are ways around this if the dimensions of your image are large enough—dimensions in inches, that is.

changing a 72 dpi image to 300 dpi
The photo at left has a resolution of 72 dpi. If we increase its resolution to 300 dpi,
the dimension of of photo decreases proportionately, as shown at right.


Using graphic design programs, I can easily increase the resolution of an image to the required 300 dpi. However doing so proportionately decreases its dimension in inches. Say you send me a 10×10″ photo at 72 dpi. If I increase it’s resolution to 300, it’s dimensions then decrease to 2.5×2.5″.

That’s a big difference to keep in mind!

If you’re shooting photography specifically for your project be sure to set your camera at its highest quality setting. Your flash drive won’t accommodate as many pictures but that’s okay, you can deal with it.

There you have it, folks, a basic study of digital imagery. Are you still with me?!

 

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Check Out the New Digs!

A new look for Adunate!

Well, what do you think? My blog has an all new look!

I’ve been working on this for, oooh, I’m embarrassed to admit. Let’s just say I’ve been squeezing it in between my client’s important projects and it’s taken a very long time.

Speeding the process along was John Sawyer, a WordPress guru from The Small Business Website Guy. I really liked the features of WordPress’s Twenty Eleven theme but I also wanted some customized design elements. So John did the foundation work and I tweaked, and tweaked, and tweaked and tweaked.

Anyway, here it is—Adunate’s customized WordPress theme, complete with three columns and a maximized content area. It’s coordinated to match my Adunate business site, yet comes with unique accommodations for photography, Twitter feeds, and other cool media stuff.

What about you? Does your blog need an new look? Want to start blogging to promote your business? Let me help with a theme specifically designed to fit your needs!

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